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One hundred thousand children wake up
homeless in America every day. They have
lost almost everything including
their childhood. Through art, these children
can express the unspeakable. They can give
a voice to their fear, rage, fear, isolation,
and longings.
At an organization that grew out of my
own volunteer work Drawbridge:
Arts for Homeless Children, over 1600
children find a safe environment where they
can express themselves. For some of them,
this is the only stable, predictable time
in their week. We hold 27 weekly arts groups
in family shelters and low-income housing
facilities in six California counties. We
make the children's art into beautiful holiday
cards, the sale of which helps to support
our work. We've also had a number of exhibits
of their art work, including one at the
Yerba Buena Center for the Arts in San Francisco.
A number of our volunteers are formerly
homeless teens who came to Drawbridge as
young children.
In response to requests from communities
around the nation, we have put together
a week-long training on everything from
fund raising and expressive arts techniques
to the effects of trauma on children. It's
extremely gratifying centers based
on our model have been created in Tuscon,
Houston, and San Diego. There is international
interest, too, and this year we are working
with a young man from Ghana who will go
back and work with street children there.
My studies in psychology, expressive arts,
and spirituality at CIIS gave me a solid
background that has been invaluable in my
work. In fact, one of the most practical
tools we use at Drawbridge is what Buddhist
monk Thich Naht Hahn calls contemplative
listening, a form of deep listening. At
its core, our work is to show up, to bring
our full presence to being with the children.
It's all about just being with them, listening
to them, finding out who they really are
and what they really need, rather than what
we think they need. We bring our best selves
to them, and this brings out the best in
them.
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